NYGH 2018-S3EOY-ALIT HP QP
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Text from the first pagesClass Register Number Name End-of-Year Examination 2018 Secondary Three Advanced Literature (HP) 2 hours Wednesday 3 October 2018 0845 hrs – 1045 hrs READ THESE INSTRUCTIONS FIRST 1. Write your name on your answer script. 2. Use dark blue or black ink. 3. Do not use correction fluid / tape. INFORMATION FOR CANDIDATES 1. Answer both Section A and Section B. Choose ONE question from Section A and ONE question from Section B. 2. Begin your answer to Section B on a fresh sheet of paper. 3. Number your answers clearly. 4. You are reminded of the need for good English and legible handwriting. Setters: SGK This document consists of 7 printed pages, including this cover page. [Turn over]
NYGH/ALITHP/S3/EOY2018/SGK 2 SECTION A: SET TEXTS Death of a Salesman – Arthur Miller Great Expectations – Charles Dickens EITHER 1. Play or Novel The pursuit of happiness can make one selfish and cruel. With reference to a character in either the play or the novel you have read this year, say how far you agree with this statement. OR 2. Novel: Great Expectations Read the extract below and answer the questions that follow. For an hour or more, I remained too stunned to think; and it was not until I began to think, that I began fully to know how wrecked I was, and how the ship in which I sailed was gone to pieces. Miss Havisham’s intentions towards me, all a mere dream; Estella not designed for me; I only suffered in Satis House as a convenience, a sting for the greedy relations, a model with a mechanical heart to practise on when no other practice was at hand; those were the first smarts I had. But, sharpest and deepest pain of all – it was for the convict, guilty of I knew not what crimes, and liable to be taken out of those rooms where I sat thinking, and hanged at the Old Bailey door, that I had deserted Joe. I would not have gone back to Joe now, I would not have gone back to Biddy now, for any consideration: simply, I suppose, because my sense of my own worthless conduct to them was greater than every consideration. No wisdom on earth would have given me the comfort that I should have derived from their simplicity and fidelity; but I could never, never, never, undo what I had done. In every rage of wind and rush of rain, I heard pursuers. Twice I could have sworn there was a knocking and whispering at the outer door. With these fears upon me, I began to either imagine or recall that I had had mysterious warnings of this man’s approach. That, for weeks gone by, I had passed faces in the streets which I had thought like his. That, these likenesses had grown more numerous, as he, coming over the sea, had drawn nearer. That, his wicked spirit had somehow sent these messengers to mine, and that now on this stormy night he was as good as his word, and with me. Crowding up with these reflections came the reflection that I had seen him with my childish eyes to be a desperately violent man; that I had heard that other 5 10 15 20 25
NYGH/ALITHP/S3/EOY2018/SGK 3 convict reiterate that he had tried to murder him; that I had seen him down in the ditch, tearing and fighting like a wild beast. Out of such remembrances I brought into the light of the fire, a half-formed terror that it might not be safe to be shut up there with him in the dead of the wild solitary night. This dilated until it filled the room, and impelled me to take a candle and go in and look at my dreadful burden. He had rolled a handkerchief round his head, and his face was set and lowering in his sleep. But he was asleep, and quietly too, though he had a pistol lying on the pillow. Assured of this, I softly removed the key to the outside of his door, and turned it on him before I again sat down by the fire. - extract from Chapter 39, Great Expectations by Charles Dickens 30 (a) How does Dickens present Pip’s state of mind? (b) “What matters to Dickens is not what one might achieve, but what kind of person one is.” How does Dickens convey this through the character, Pip? [30m]
NYGH/ALITHP/S3/EOY2018/SGK 4 SECTION B: COMPARATIVE LITERARY RESPONSE EITHER Poetry Read the two poems below and answer the question that follows. (a) Journey Ah, could I lay me down in this long grass And close my eyes, and let the quiet wind Blow over me – I am so tired, so tired Of passing pleasant places! All my life, Following Care along the dusty road, Have I looked back at loveliness and sighed; Yet at my hand an unrelenting hand Tugged ever, and I passed. All my life long Over my shoulder have I looked at peace; And now I fain would lie in this long grass And close my eyes. Yet onwards! Cat birds call Through the long afternoon, and creeks at dusk Are guttural. Whip-poor-wills1 wake and cry, Drawing the twilight close about their throats. Only my heart makes answer. Eager vines Go up the rocks and wait; flushed apple-trees Pause in their dance and break the ring for me; And bayberry, that through sweet bevies thread Of round-faced roses, pink and petulant, Look back and beckon ere they disappear. Only my heart, only my heart responds. Yet, ah, my path is sweet on either side All through the dragging day, – sharp underfoot And hot, and like dead mist the dry dust hangs – But far, oh, far as passionate eye can reach, And long, ah, long as rapturous eye can cling, The world is mine: blue hill, still silver lake, Broad field, bright flower, and the long white road A gateless garden, and an open path: My feet to follow and my heart to hold. - Edna St Vincent Millay (1921) 5 10 15 20 25 30 1 Whip-poor-wills are nocturnal birds in North America
NYGH/ALITHP/S3/EOY2018/SGK 5 (b) Journey One day you finally knew what you had to do, and began, though the voices around you kept shouting their bad advice – though the whole house began to tremble and you felt the old tug at your ankles. “Mend my life!” each voice cried. But you didn’t stop. You knew what you had to do, though the wind pried with its stiff fingers at the very foundations, though their melancholy was terrible. It was already late Enough, and a wild night, And the road full of fallen Branches and stones. But little by little, as you left their voices behind, the stars began to burn through the sheets of clouds, and there was a new voice which you slowly recognized as your own, that kept you company as you strode deeper and deeper into the world, determined to do the only thing you could do – determined to save the only life you could save. - Mary Oliver, from Dream Work (1986) 5 10 15 20 25 30 35 Both poems have the same title. Compare and contrast the presentation of the two perspectives, paying close attention to the use of language and tone.
NYGH/ALITHP/S3/EOY2018/SGK 6 OR 4. Prose Read the two extracts below and answer the question that follows. (a) In this extract, the writer revisits an old haunt, a favourite camping and picnic site by the lake that he visited each summer with his son and friends. He also describes some changes he notices. It seemed to me, as I kept remembering all this, that those times and those summers had been infinitely precious and worth saving. There had been jollity and peace and goodness. The arriving (at the beginning of August) had been so big a business in itself, at the railway station the farm wagon drawn up, the first smell of the pine-laden air, the first glimpse of the smiling farmer, and the great importance of the trunks and your father’s enormous authority in such matters, and the feel of the wagon under you for the long ten-mile haul, and at the top of the last long hill catching the first view of the lake after eleven months of not seeing this cherished body of water. The shouts and cries of the other campers when th
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